淘淘姿势已经摆好了就等你了

　　一幢待售的房子，交到了年轻的女房产经纪莉手上，她在房里发现了一个精神有些异样的女孩，她以为那是前任房主离家出走的女儿，便想伸出援手，谁知女孩似乎被一种超自然的力量控制，莉和她的艺术家姐姐薇拉，都难逃她的魔掌…

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

A story of redemption in a world gone dark.

这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……